Tag photography

Rex & Getty — it’s off! A letter to photographers from Rex Features’ Mike Selby

Rex & Getty -- it's off!

Rex & Getty -- it's off!

These days photography is playing on my mind. As an ex-professional snapper (film, of course) I hung up my Nikons in 1999 and haven’t been back since. I’m now of a certain age where I feel that same old uncontrollable urge to have a decent camera, so I’m going digital. In all the years that I haven’t been shooting a steady trickle of royalties has continued to hit my bank account, some of which was from Rex Features. Now, Rex was the subject of a take over bid by the global giant Getty. In stepped the UK Office of Fair Trading (OFT) which felt the acquisition would be anti-competitive.

As a registered Rex photographer, on Friday Mike Selby sent out the following email:

Dear Colleagues,

As you know, on 26th April we announced Getty Images’ intention to acquire Rex Features and its associated companies in the US. Getty Images voluntarily informed the Office of Fair Trading of the intended transaction to enable the OFT to carry out an investigation in advance of the deal being completed. Following its investigation, the OFT has decided to refer the proposed transaction to the Monopolies and Mergers Commission for competition clearance.

Although the MMC may ultimately have cleared the deal, we feel that the six- to eight- month process which would be carried out by the Commission would be too disruptive and unsettling for our loyal staff and suppliers who have already had to endure weeks of uncertainty. We have therefore decided to call off the proposed merger and the acquisition will not now be going ahead.

Rex was never actively seeking a buyer, and we are not seeking one now. With the deal off we will continue to do what we have been doing all along — give photographers and photo users in the UK and around the world a service which is second to none.

The fact that the OFT had reason to refer the proposed transaction to the MMC is in itself an indication of Rex Features’ strength and confirmation of the Company’s leading position in the market. We had many calls from clients today after the decision, welcoming the news and the fact that Rex is going to continue to be there as their independent picture source of choice.

Our staff have been working as normal all through this period and we will continue to work as hard as ever, to compete effectively with our many industry rivals, and to build on the more than half a century of history and reputation with which the name Rex Features is synonymous.

We would like to thank you for your patience, loyalty and support over the past few weeks in particular and look forward to a successful and long-lasting relationship.

With best regards,

John, Mike & Sue Selby and Martin Hillier

8 July 2010

Rex Features Ltd

18 Vine Hill

London

EC1R 5DZ

UK

Tel: +44-(0)20-7278 7294

Fax: +44-(0)20-7837 4812

www.rexfeatures.com

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Nutty snapper uses ostrich egg to photograph ostrich

An ostrich as seen through an ostrich egg

An ostrich as seen through an ostrich egg

A British regional press photographer has captured what he claims to be the first photo of an ostrich taken using an ostrich egg.

A what, you ask? Yes, an ostrich egg.

Following on from success snapping the Sydney Harbour Bridge with a Pringles crisps tube and Gloucester Cathedral with a dustbin, Simon Pizzey constructed a simple pinhole camera from the giant egg.

“The hardest challenge was finding the courage to get in the pen with these intimidating creatures. Ostriches are basically dinosaurs. They move like the velociraptors off Jurassic Park, they can give a very nasty peck and cause serious injury with a sudden kick,” Pizzey was quoted as saying by the website Hold The Front Page, which is equally owned by regional newspaper publishers Northcliffe Media, Newsquest, Trinity Mirror and Johnston Press.

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Journalism — how it was then. What would this look like now?

As the debates on the future of journalism rage, I thought it interesting just to take a moment to reflect on how it once was.

This documentary, part of the late 1940s US “Your Work Life Series” of vocational guidance films, looked at the noble profession of journalism and how stories were gathered and newspapers produced. Other films in the series tackled photography, printing, forestry and bookkeeping among (I presume) others.

Just what would this profession look like today once new media and sexual equality (note the suggestions for women) were added to the mix?

I neither condemn nor condone the content. It is purely a reflection of how things were, not what they were to become. Any takers to make an updated version?

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Is there new in the old?

Walking backwards to the future?

Second hand TVs being imported into Vietnam. Photo: Andy Soloman

Thinking about my posting on Roy Greenslade’s comments on the crisis British journalism finds itself in set me thinking. Is it really going to have to be a case of out with the old and in with the new? We have to be very careful here. The prospect of the vestiges of mainstream media cowering in its hole churning out rehashed press releases and wallowing in Lord Haw-Haw isms is enough to worry even the most ardent critic of the press. Instinct would seem to suggest that if quality deteriorates then there will be scope for good stuff to shine, and that good stuff will come at a premium. Time to refocus away from generalisms, me thinks, and into the niches that will certainly pay out in spades.

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In Focus — Herne Bay

Colour clash on the seafront at Herne Bay, Kent

Colour clash on the seafront at Herne Bay, Kent

A hand reaches out behind a beach hut in Herne Bay, Kent, in southeast England. Is it attempting to shield eyes from the late afternoon sun or hide the glare from the clashing luminous green and pink? Colour schemes usually deserve some thought in order to be complementary, a step that appears to have been ignored here.

Photo: © Andy Soloman, 2009

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Global Journalism and New Media

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